Starts with Nothing? v6

Abject beauty, hungry beauty, unspeakable desire. Each an invasion — beautiful, errant, dire. What says my danger dog — gothic sickness? Voices alert. Got ghosts? Anyone.

Hoo ho ho thats an old term. For trying to maneuver among voices of readiness and doom.

Pie. Is zoom. Magnifier. Pynch with an inch.

My thousand dead pie live off of ghastly invasions. Dead doesnt mean dead. But focused erupt distrubances in eye of wretched lovely pie.

With juicers joycers disconnect disconnect.

Hopeless cunt tanker or bust beauties kill kill the feast trying to bargain endlessly with wonder horror and astonishment at greed of beauty and death. Sometime leave me helpless.

Math shows up. With freaks and spies. Steal off into corners with precious and angst. An uncertain separation — Between glorious whirls of contraband and the purging altar. Sexes show up. Vampire rocks off. Endless endless endless. Love as a stick of dynamite. Consecration of essential tremors. I am a perennial flower. Sinking into risky the frisk cat fat with lime what diment cha cha. I laugh when I should cry.

Thank you Charlie.

Fountains of red. Oceans of black. Cursed jouissance, the dance nest of moil and macabre. In praise of folly. American Gothic. Lilt flames of lit skit tit flit into a nit where mit edgeless the endless a blicks rebel lust for plus t and bakers magic, tragic fragile and cuts, a lions steady nuts.

Leading everywhere to nowhere. And then back around again. And in background fears announcements. Dont call on me I am traveling the beast since 2. Never made it out of 2nd grade. On certain topics there remain. I

Rash Mash Remember the Lash Crash

Immersed. The pure and the vanishing. Are related sight along the nose or mouth candle topics, a longing to disappear. Relates to the purity of relationship with arriving at the door of death. And hidden inside it caves and tombs of bones and worms and disappear where.

into conjuring arms, devilish strains of tomahawk and mercy.

Longings stretching fiendishly up my treacherous leg, estranged by its lovely madness, reprehensible, contrite.

Absurd relishes, indignant and bruising with wild fears and heartbreak, as if heartbreak and the absurd are turnovers on a skillet of genius and death — where love, superfuses? My soaring cunt, a sacred vessel —

Echoing with monstrous desire, every beautiful atrocity — a culprit, a deceit, chopped up and chewed into magic pie —

Frontlessly hunting the unaccountable.


Every god awakens under my skin. Sword of faith. In a lurch, a sudden awakening of the unnameable.

Its dormants crawl all over my tomb.

Nameless here for evermore.

The glory of their mutiny on me, the stringency of wrath. Find it everywhere — under fingernails, digging into my throat. Slithers down my back.

And yet, run to you — when it explodes on me, vain and merciless – as proof at all that I continue to exist .

The unnameable buried inside the boot — and under my tongue. Criss crossing genders go on benders — as a honing device.

Every gesture becomes a treason from the known, an opening orienting with vestiges of augury.

Your love turns me into a floatation device, caught in the turbid and falling falling into the holy.

Infinity minus 1

Tailwind, nexus, node. Gang up like a forbidden city.

Every genitive, indicating possession or close association aesthetes its pyrography up my vacuum cunt.

Every edge deliciously contaminated with baptismal font, sacrificial fire melting into ecstasy, imperviable, willful —

Risen in its bed, bleeding with the sorrow, the hungry, the dead.

And stolen, all stolen somehow. From an interminable source.

Like angels dug up by the burden of gods and monsters, my vestal slaves aberrantly absorb them.

I am their lost and found — I am their ever becoming. All things wretched, beautiful, equivocal, mystifying, intransigent — ever aegir to collide with indeterminacy.

Dangling with odyssey.

T.S. and Less

This wasteland — bears burden of feast and famine.

Any slightest blow and the floor falls thru, unveils a desolate uneasiness, unnamable panic.

A wilderness of desire, shifting, tantamount.

Inflammations burgeon the heart —

Fires are humbling. Hell tumbles into a frenzy with shocking defiance, a sabotage of lethal intensity.

Every moment losing control.

To risk everything. To save yourself. Swim up a waterfall. Dive across the racing water — for you, for some abominable rescue — from its endlessness, its wooziness —

Cold, hot, warm.

Twistical, devious, innocence once touted as glorious. Swoons at the wretched, swoons at the beautiful. Fulgid and riveting with life and death.


And by its hostages, I am condemned?

As a seemliness bordering on disease.

How hear angels giggling — at the edification of evil.

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Cutters Must

Love Poems for Lobsters

Middling with Meta Fiction

Presence & madness, desire & distance, alls & nothings.

01 Viral and Spiral v1.1

Splendor. Cutters farm. In vested with a wire.

The slender and the burn.

Digging after dog of night.

Barriers carriers, for chins and fins. The ticklish and the fragile. Flowers belly up and blue.

Holy scares, holy scars, holy reckoning with giddy fumes.

The body of the first — and fall, and holy go go go —

Sweet infernal yoyo. Smor-guess-board of destiny of death — tasting splits the tongue.

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Essays as fiction.

Poetic holy oil and the hideous insidious perfidious sublime.

02 Spiders From Mars v1.2

Jumper Evils

Jill the Puddle Jumper — races after epiphanies — a defender of splendor, with a spoon for the moon. Shadows fetch through darkness after strains of ugliness, wistful and yearning, incessantly for incarnate species of beauty. Any which way.

Curiosity trembled with a tyranny of honor and lust. Every scheme incurred some element that defied reason.

Powerful bursts of the holy moly resistant. Waves of defiant wonder battling with a fire of emptiness. This emptiness is space to jump through. It is the meaning and affectation of life.

Soul becomes body cut loose, running with the wind, meaning bursting through confines of forced conformity — and not just for glory numbers, but slippery reckonings with brute gruesome hopelessness, burst like a coffin that only opens at night.

And its day that slips under the mat choking with terror.

Jill has a nose that swoons against the distance — and given any sudden room to roundelay in, shifts into rapidly sifting views, perceptions find clearance to reverberate and imbue, sudden exponentials turn electromagnetic with buzzing cruces — these spiritual quintessentials are enshrined in beauty of all kinds.

Including the femme fatal. Escaping banality and horror of everyday strife into elements of sacrifice charged with freedom, as a rapturous negative beauty.

Or to philander deferentially with morbid exuberance — searching the highest rafters for edges of destruction. To get the heart climbing.

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01 Motionless Mobius Morbid Fluff

Love rages

a battering ram

and a canalizing


as heat moulders perch

like a bird

wild in worship.

The virgins of hell ring

my wasted double


rile for a pile

oh. Ocean

cheap breathless heap

a wendingness

of morbid flora

lets loose that pin

a blanket white out

alive as a bee hive

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Letters to Epididymus

Letters to Epididymus

Negative of the Contrary

Where Love is Endless


Scoops of Negative Plunder

Quivering, the vulnerable into syllabalizing — a shining vulture — feathers red purple yellow blue, high on holy prey? Wonder if Joyce ever compared himself to a vulture? On morning cliff where sits a red rock and the wind blows heavily.

We want to make pretty? Have chars come to life.

Instead, starts up on a theory of love — that is the beauty of evil. Evil is a fat word. Borderless, boundaryless, and even intermediary. Sacred refuge for the addititious — perverse, mischievous, incendiary.

Looking into time periods again, drat Spengler, those of early Christianity as to say angelic sorteriology and hamartiology, otherwise known as discovery of salvation and sin.

Or rather, what my flowers of luminous evil call: potency of love and evil. Where love is endless, elevates negative to positive. Ugly to Beauty. Timelessness to Infinity.

See pretty in others resolve. Where let love in.

But beauty is full of excuses, having escaped from prison of gently crushed banal conservative dismissal, and religious disdain. Behind which saw horror and decapitation. In dreams slaves raged and were raped — negative escape from emptiness of existence.

Love, as release from a Tyranny of Negation?

Wasn’t just clumsiness. But also being forced by emptiness around me into fighting stagnation.

Every heady book, devoured — was an opening into desecration of the stagnation, negative on a negative became a twist on what love iz, conspirational with the dead (more than not authors read, were dead). Reading books, a rage against machine, quietly in my bed.

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Working thru rot divide or unmodify —  quiet here as mouse house with faust. Today — peace and gud tidings — mine only true one absolute weather support the work to find its own destiny in la langue — was strange to be fat way — body wanted diff life — sylvie s  on dreaming into being — so many every boxtop —the imago far as can go bangs on about — low as can hoe — curiosity hingry and terror and timid — blotchy buggy soggy tiered — then reach out seemingly umbillically to other worders birders — and bounders to absorb mirror cul and  meth thud and exchange rats and ratios  and rations fah who boo knew ❤️❤️ — those who permet me become be livd on art part cart liberal — theres a one track hack evil button in la langue — find alone is “very” disarming — so guess seek the other to make wayway thru — not wanting to disrupt as bends my curve to breaking points which blow mouse house down -/ but black hole mmm engine too -/ new story finding chloe — let it sneek off into abso lutes ?? And others arrive to arg the vousdo back then dress in a n weave patterns glut slut means tooo seeking a grace — finding beauty and disaster and chuckles the misxmaker somebody — all but “resistance boxacrackers” want “share tea with v.”

es — Mmmmmy lyf small — but the work is getting “tight” yah — not doing any of this to  burst at feet but jess stand up even say “ullo” — perhaps eod if can get loggers at factory to flesh it out  fully — pea haps then wriding itself cud out go the shrimpy — all can do iszzz kip hoing -/ litter ex ists in black box of pie heavens no nothing assume everything — motto my grotto — SafeStreetsUSA


Na knot ankcore — but  flow t twas 2 stay a flo te — naught pulled all wayway under again ana again — by waves of the sw eat hell o of m add ness — peace enuff in heart to “see” as a general way of perceiving purr suing ex changing litter n fill —  tho still get caught in patterns of mis tea rious reasoning — on hole  humor serves thru process of “finding” the serious — in laden and loaf, and peaches in trees —


Cud not have gotten pie to piece of peace on this without leaning towrs of pizza — mindbidysoul roll in the “hole” — looking fig out maintain mid grnd ( instead of yaknow burning man grnd zrro)  endless love online works perfecta emmy pammy saus gd2go vousdo ruespew hippped make out a motionless meadured and absorbing caze para wick — now in the fic ?? Make up own version what fic is — ?? Hmm now is whispy moany inelegant —  starting back on fiction — raise under surface to a dimension of what hmmm

Just did a fa$h sketch from agent s bern approved — tooooday way heavy dev/y hi end drawing class prep sat at 1 -/ also about finding line – focus pocus —  that round 1000 pie hi happy fingers number sum in can with fannand pans collecting nuggera — the knocks the pix  and the fizzies —  to the slippery edges of wipperwood — i know its frig it fright height bite night reading a la rob the bin hood — tooooo also do fiction — something go back for ? // please says the  beez blet bluzz earotic nuts and way the doodle noodle hoody poodle canoodle and nuts for guts — peepoe ddeafylocks pox and frisson and say hello for real as a V — edgr of gorest always waves and yells yo join her at the milk bar fizz wizz and hup comes the resistance — loopp fuck rrrrttt /- hu go not but -/ jack the riphuh pulling petals off poppy — oh hate city oh are wars between screamers // who cross dada pts with marcel -/ hate pushes back hate isa great pocus focus -/ yet/just anutter moon flitter with death — and make way gor day — which due too heavy river syvvy heloise in church — betty lost ton of cup cakes in garbage of golden ruins — is a bird born wasteland happiness deformrd — still living faithfully on hump over at circuitous dump -/ collecting presh tin — hmm – to take from proncess to dimples on the dump in 666.

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Index for Nick Cave’s The Red Hand Files

Latest on Top

125 Do you like haiku poetry? What are your thoughts about John Cooper Clarke?

124 So who are The Hyatt Girls?

123 How do I know I’m on the right path?

122 In this time of illness, cynicism and cruelty, do you receive many mean or vile messages? How do you cope with that kind of negative energy?

121 In an interview from 1997 in Los Angeles, you introduced us to your “pet theory”: your creativity could only flourish in a state of loss and longing, and that it needed catastrophes in your life. Do you still believe that?

120 What do you think about NA? As a recovering heroin addict, I am having difficulty getting into the Narcotics Anonymous scene. Do you have any more advice for a recovering heroin user?

119 I was thinking how much I wish I could write this story to you in Greek, my native language. In June one of my best friends suddenly died aged 46.

118 I’m thinking about having a child but everything looks so grim right now. It looks like your website is censoring people who ask about Israel.

117 Do you enjoy magic? Card tricks, stage illusions, that kind of thing.

116 Nina Simone once said: Freedom means having no fear. Sometimes on stage, she added, she would reach that kind of state. How do you free yourself from fear?

115 September 2020.

114 If, for decades, an anchor served a ship, which one day decided to cut its chains and sail away, can the drowning anchor grow wings? And if so, will the anchor always be burdened by the weight of having been used? 

113 On The Lyre of Orpheus, the track Breathless moves me beyond words. In the intro every time I hear it I’m taken to a 14th or 16th century style ensemble.  Is that the intention or can you explain where that comes from?

112 I spent the day watching Bad Seed TeeVee and the fan cover versions of your songs are amazing. How will you choose a winner?

111 I think you’ll be touched by this story, and the part you play in it. Please take a look. 

110 Is it true that Kanye’s new album is delayed because you both took the last minute decision to include a track you have been working on together?

109 What is mercy for you? What do you think of cancel culture?

108 What do you do when the lyrics just aren’t coming?

107 Part 3. Why don’t you just buy your own fucking piano, you cheap c**t.

107 Part 2. No more mails to Fazioli please.

107 The piano you played for Idiot Prayer was magnificent. Was it a personal instrument?

106 I lost someone in the last year. I thought it was fine. It was a gentle passing. Now shapes and echoes resound. I feel a presence that comes and goes. How to understand the experience of loss. It’s not something I could negotiate with.

105 Do you ever collaborate with Susie?

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Phrase Hunting, Notes & Sketches, Translating French

Books & Then Some: Love, Want or Otherwise

Auguste Brachet

Auguste Brachet

Got off of Considered historically important French language book by Etymologtist Auguste Brachet. Its pretty darn good – Cours complet d’histoire de la langue française conforme au programme du Conseil supérieur de l’instruction publique en date du 15 juillet 1880.

Beckett with Lacan by Slavoj Zizek

Slavoj Zizek talking up Beckett & Lacan: “If there ever was a kenotic writer, the writer of the utter self-emptying of subjectivity, of its reduction to a minimal difference, it is Beckett. We touch the Lacanian Real when we subtract from a symbolic field all the…

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Brief History of Infinity

Brief History of Infinity

PAULO ZELLINI Compares line where divine meets the sublime and language of the counting heads – as coextensive with history of math, which it is. Book very fine for philosophy majors.

Clarice Lispector

Agua Viva. Ex-lover to whom she must explain. And para after para gushes out after thresholds where language goes beyond the simple or complex, beyond deviousness, and even beyond reflection or admission, to something ailing for a form. Seeps as paint does blood through the grave…

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Comment C’est

SAM BECKETT, in his book Comment C’est, circles language La Boue (means mud in FR, nostalgia de la boue). He flushes and loops through an exquisite meandering mud of reason & dreams like a cryptographic lattice. My language dreams in La Boue too. Only now to open…

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German Grammar

After reading just three chapters, could read titles for Philosophy Books/Articles and tell apart parts of sentences and match up meaning to words.

Hidden Prohibitions & the Pleasure Principle

Josefina Ayerza with Slavoj Zizek from Flash Art on “The entire satisfaction, the jouissance is that you do not know and will never know who the other is… the entire satisfaction is in this purely symbolic exchange…” “In quantum physics for example you have the idea of possibility….

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In Praise of Folly

From Wikipedia. Essay written in Latin in 1509 by Desiderius Erasmus of Rotterdam and first printed in June 1511. Inspired by previous works of the Italian humanist Faustino Perisauli  De Triumpho Stultitiae, it is a satirical attack on superstitions and other traditions of European society as well as on the Western Church. Erasmus revised and extended his work, which…

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L’Experience Interieure

Read almost everything by GEORGES BATAILLE on beauty, sex & death. He wrote novels & philosophy. This is his master work. Holding French against English I have read it at least three times. I adore it. Sacred essentials of horror & beauty taken out to edges…

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Les Fleurs Pensée sur l’Amour

Two books had super heavy influence on me very early on. Ezra Pounds translation of Remy du Gormant’s The Natural Philosophy of Love. A later 1800’s serious tract about sexual instincts in animals. And translated with marked succinctness and intensity by the great Ezra. Loved it….

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Lulu in Hollywood

I really liked Lulu In Hollywood by Louise Brooks. Working in Hollywood, and on dancing stages, travelled with Ziegfeld. Its an honest book. Bitter, its been called — but I dont see it that way entirely. Its another hard knocks western song out of Kansas and…

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My I Ching

Falling asleep with Finnegans Wake. Gave me hallucinations still cherish. Think about this book a lot. Like a fish, the tide and blotting paper. Aquatic with words, to see what undercurrent pings and plots like a sinking rock. I love this book. Where poetry upends with…

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Politics of Scene

By Paul Kottman, Sanford University Press. The brilliance and originality of this book consists specifically in its radical recasting of the metaphorical, figural uses of “theater” and “drama.” —Robert Hanke Paul is editing a new book series at Stanford University Press, Square One: First Order Questions…

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Samuel Beckett Reads Watt

Watt will not abate one jot but of what of the coming to of the being at of the going from Knott’s habitat of the long way of the short stay of the going back home the way he had come of the empty heartof the…

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Samuel Beckett’s Library

By Dirk Van Hulle and Mark Nixon, Cambridge University Press. Fully examines Beckett’s reading practice, and the way he used his reading in his writing. “… impressive, rigorous, coherent, and innovative.” —Yves Laberge, The European Legacy Samuel Beckett’s actual library “is still where it was at…

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The Art of Dressing Curves

The Art of Dressing Curves is a gorgeous book that only SUSAN MOSES could write. Acclaimed stylist for the curvy side of life. No other book quite like it. Includes diagrammatic of 9 collars that she had me draw. I admire Susan greatly! Her faith helps…

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The Crying of Lot 49

“I came,” she said, “hoping you could talk me out of a fantasy.” “Cherish it,” cried Hilarius, fiercely. “What else do any 0f you have? Hold it tightly by its little tentacle, don’t let the Freudians coax it away or the pharmacists poison it out of…

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The Limits of Fabrication

The Limits of Fabrication: Materials Science, Materialist Poetics (Idiom: Inventing Writing Theory) by Nathan Brown, book about materials science and Charlie Olson’s (I, Maximus of Gloucester, to You) poetry. Form of language courted by Heidegger — over what is life and what is rock. Reminds me…

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The Sick Bag Song

The Sick Bag Song

The Sick Bag Song by Nick Cave is especially essential to my collection. Helps me wake up beyond revelations of ornery terrors: to behold with honesty humor and relish the beauty in my obsessions – Especially those that otherwise would tear the soul apart.

Why We Gesture

Development of communication & gesture by pre-eminent expert in field, Prof. Emeritus DAVID MCNEILL. Author of 11 books on language, gesture, speech and so on. Several of which are considered classics. (If I get 1 pub’d in my life time will be a frckng miracle.) Very…

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